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Aristide Moari

Aristide Moari

Composer

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Posted on January 23, 2021January 21, 2022

19 – Miniature for Marta (Flute Solo)

This week I wrote a Miniature for Marta Vilaça. I hope you’ll enjoy her delightfully insane rendition of it!
Posted on January 23, 2021January 21, 2022

18 – Polar Bear (Cello Solo)

I am moved by Antoni Cholewiński’s performance of my
“Polar Bear” for Cello Solo.
I hope you will, too!
Posted on January 2, 2021January 21, 2022

17 – Supremely Indecisive (Violin Solo)

Big, big elbow applause for Irene Piazza’s performance of the century.

Posted on December 26, 2020January 21, 2022

16 – Pour Mamie (Trumpet and piano)

Celebrating the woman who gave life to my mum, who gave life to little Ari, who in turn composed and played this piece.
Together with priceless Christopher Price on cornet!

Posted on December 20, 2020January 21, 2022

15 – For Naomi (Double Bass)

Let us celebrate the flabbergasting Naomi Shaham on double bass!

Posted on December 20, 2020January 21, 2022

14 – Peter Pan on Acid (Recorder Quintet)

Recording’z awsom Recorders: Olivia Petryszak, Kimia Hadian, Lara M M Tekovic, Emily Bannister and Beatriz Lerer Castelo.

Posted on December 20, 2020January 21, 2022

13 – In Solitude, Searching (Cello and Piano)

Antoni Cholewiński, Cello
Aristide Moari, Piano
Warmest thanks to Marianne Van Dijk for supporting me and giving me the inspiration for this composition!

Posted on December 20, 2020January 21, 2022

12 – Viennese Tango (String Sextet)

Finally… here it is! Friday Composition 12 – Viennese Tango for String Sextet
Absolute joy- from 6 of the craziest players!

 

Posted on December 20, 2020January 21, 2022

11 – Caprice for Lili (Viola Solo)

Lilian Haug – viola player – is my friend. I like Lili.
I wrote a Caprice for her to play. I hope you enjoy her beautiful performance!

 

Posted on December 20, 2020January 21, 2022

10 – Lost Invention (+2 improvised variations) (Piano Solo)

Okay, This week’s one is special: I had recorded for you a “Lost Invention” of mine. My friend Ido Zilberman – il grande soundengineer – had an idea: “Why not improvise on it?”

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